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Archive for the ‘culture’ Category


A Picture from Edna

This past Spring, a friend of mine, Judy Z, gifted me with a piece from her David Winter Cottages collection. She gave me Benbow’s Farmhouse and described it as having a very interesting connection to the Mormon church.

Researching further, I found that Benbow’s Farmhouse by David Winter Cottages was made to commemorate the 150th anniversary of the arrival in 1837, to Britain, of the first missionaries from The Church of Jesus Christ of Latter-day Saints. In 1840, Apostle Wilford Woodruff of the Church of Jesus Christ of Latter-Day Saints (Mormon or LDS) stayed with John and Jane Benbow at Hill Farm (Benbow’s Farmhouse) in Castle Frome, Herefordshire, and baptised many converts to the new religion in the farm pond. John Benbow himself had became a member of the Church and was responsible for the first printing of the Book of Mormon in Great Britain.

David Winter Cottage

The image, David Winter – Benbow’s Farmhouse, was originally uploaded by Edna Barney. It is posted here from Barneykin’s flickr account.

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Queen of the May


Maypole

Maypole


Consider the Maypoles of olden days with floral vines and colorful ribbons woven around a towering pole, commanded by the Queen of the May.

The little country school in Maryland that I attended for my first primary grades presented a May Day celebration that has been etched in my memories these sixty-four plus years. Boy – girl, boy – girl, boys in white shirts and trousers, girls in pale pastels, paired around the Maypole, each holding a colorful ribbon of crepe. Oh how I was mesmerized by the Maypole dance. As the the music began so did the May Pole dance, each boy facing each girl, skipping and weaving, over and under…. over and under…. over and under…. until the towering pole was a brightly woven tribute to our Queen of the May!

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A Picture from Edna

We cherish too, the Poppy red

That grows on fields where valor led,

It seems to signal to the skies

That blood of heroes never dies. (We Shall Keep the Faith)

In November of 1918, inspired by the poem “In Flanders Fields,” Moina Michael replied with her own poem, cited above. She then conceived of wearing red poppies on Memorial day to honor those who died serving the nation during war. She sold poppies as a fundraiser to benefit needy veterans. When Madam Guerin, a visitor to the United States from France, learned of this new custom she began making artificial red poppies to raise money for French war orphans and widows. The Red Poppy tradition spread to other countries. In 1921, the Franco-American Children’s League sold poppies nationally to benefit war orphans of France and Belgium. The League disbanded a year later and Madam Guerin approached the VFW for help. Shortly before Memorial Day in 1922, the VFW became the first veterans’ organization to nationally sell Red Poppies. Two years later their “Buddy” Poppy program was selling artificial poppies made by disabled veterans. In 1948, the US Post Office honored Moina Michael for founding the National Poppy movement with a three cent postage stamp with her likeness upon it.

The image, Poppy at Lion House, was originally uploaded by Edna Barney. It is posted here from Barneykin’s flickr account.

Visit Neddy’s Archives for more of Edna’s writings.

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Christmas 2009


A Picture from Edna

Christmas is Christians’ flawed attempt to honor the birthday of their Lord and Savior, Jesus Christ. He deserves better, but the harder we try to honor Him, the more we seem to diminish the celebration. I am certain that Jesus understands us better than we understand ourselves.

The image, Creche at Washington Cathedral, was originally uploaded by Edna Barney. It is posted here from Barneykin’s flickr account.

Visit Neddy’s Archives for more of Edna’s writings.

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A Picture from Edna

This is one example of graffiti that occupying Union soldiers left upon the walls of Blenheim in Fairfax, Virginia during the War Between the States. This photograph is from the attic, however when wallpaper was recently removed from the main floors of the old Greek Revival farmhouse, graffiti was discovered everywhere. This “Soldier’s Lament” records:

4th Month

No money

No whiskey

No Friends

No Rations

No Peas

No Beans

No Pants

No Patriotism (underlined)

“Blenheim,” located at 3610 Old Lee Highway, Fairfax, Virginia, is a brick home built by REZEN WILLCOXON about 1858, to replace an earlier frame dwelling. This 12-acre former farm, includes a cemetery for several generations of the Willcoxon family who lived here. Blenheim is renown for its outstanding examples of Civil War soldier graffiti. It is currently being restored. The day we were there, a recent tropical storm had left many downed trees, but no damage to the structures.

The image, Soldier Graffiti, was originally uploaded by Edna Barney. It is posted here from Barneykin’s flickr account.

Visit Neddy’s Archives for more of Edna’s writings.

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The “We” Word


‘WE’ is the word used to steal virtue from the good, to steal strength from the strong and to steal wisdom from the sages.

Ayn Rand in “Anthem:”

For the word “We” must never be spoken, save by one’s choice and as a second thought. This word must never be placed first within man’s soul, else it becomes a monster, the root of all the evils on earth, the root of man’s torture by men, and an unspeakable lie.

The word “We” is as lime poured over men, which sets and hardens to stone, and crushes all beneath it, and that which is white and that which is black are lost equally in the grey of it. It is the word by which the depraved steal the virtue of the good, by which the weak steal the might of the strong, by which the fools steal the wisdom of the sages.

What is my joy if all hands, even the unclean, can reach into it? What is my wisdom, if even the fools can dictate to me? What is my freedom, if all creatures, even the botched and impotent, are my masters? What is my life, if I am but to bow, to agree, and to obey?

But I am done with this creed of corruption.

I am done with the monster of “We,” the word of serfdom, of plunder, of misery, falsehood and shame.

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Oh to be in West Virginia, now that summer’s here. Oh, to be dancing on the porch of the old mansion at the top of the mountain in Elkins. Oh to be watching the flatfoot dancers and listening to the old timey musicians. Those were wonderful days and memories I cherish. They still be a-happening, according to this video.

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Come, come, come …
Let us ponder the America of our memories:
We sang like the birds of the field; we sang of freedom;
When we sought opportunity, we found it awaiting us.
America was a dream, a vision of seekers;
America was a dream that lasted ten score and thirty years.
The dream that was America encountered the anarchy of liberty;
And was felled by the anarchy of immorality.
We beg forgiveness of our founders, our fathers;
We weep for the blood they shed for us.
The America that was their dream is now our master.
Freemen no longer, we are serfs to toil land that is not ours.
We live the lives of the slaves of old, lives of quiet desperation;
We beat our breasts in despair knowing we sold our posterity into bondage.
We still pray, but not to God; We still sing, but not of freedom.
We tell tales to our children and they laugh,
For, as we recollect our remembrances,
Our children hear fairy tales of long, long ago.
We listen to those who sacrificed for freedom.
They ask: “Did we win or did we lose?
Was God with us or were we against God, in those days?
Was freedom worth the blood we spilt?
Or was freedom but a mysterious nothing,
A mere longing of our souls?

We will soon go away too, we who have the memories.
When we are gone, will seekers ever dream that dream again?

~~Edna Barney

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Oh Poor Lady Caroline …

Try as she may to be snooty and dismissive to others, her bewitching beauty and lovely voice betrayed her true feelings. The more she tried to be rude and cold to acquaintances. the more they were enchanted by her natural charms and they loved her even more. Oh, to be so cursed as was Lady Caroline!

So she ignored Mrs. Arbuthnot’s remark and raised forefinger, and said with marked coldness–at least, she tried to make it sound marked–that she supposed they would be going to breakfast, and that she had had hers; but it was her fate that however coldly she sent forth her words they came out sounding quite warm and agreeable. That was because she had a sympathetic and delightful voice, due entirely to some special formation of her throat and the roof of her mouth, and having nothing whatever to do with what she was feeling. Nobody in consequence ever believed they were being snubbed. It was most tiresome. And if she stared icily it did not look icy at all, because her eyes, lovely to begin with, had the added loveliness of very long, soft, dark eyelashes. No icy stare could come out of eyes like that; it got caught and lost in the soft eyelashes, and the persons stared at merely thought they were being regarded with a flattering and exquisite attentiveness. And if ever she was out of humour or definitely cross–and who would not be sometimes in such a world?—she only looked so pathetic that people all rushed to comfort her, if possible by means of kissing. It was more than tiresome, it was maddening. Nature was determined that she should look and sound angelic. She could never be disagreeable or rude without being completely misunderstood.

‘I had my breakfast in my room,’ she said, trying her utmost to sound curt. ‘Perhaps I’ll see you later.’

And she nodded, and went back to where she had been sitting on the wall, with the lilies being nice and cool round her feet.”

“The Enchanted April,” by Elizabeth von Arnim, at the end of Chapter 6.

Perhaps I’ll see you later.

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A Picture from Edna

“And after this Joseph of Arimathaea, being a disciple of Jesus, but secretly for fear of the Jews, besought Pilate that he might take away the body of Jesus: and Pilate gave [him] leave. He came therefore, and took the body of Jesus. And there came also Nicodemus, which at the first came to Jesus by night, and brought a mixture of myrrh and aloes, about an hundred pound. Then took they the body of Jesus, and wound it in linen clothes with the spices, as the manner of the Jews is to bury. Now in the place where he was crucified there was a garden; and in the garden a new sepulchre, wherein was never man yet laid. There laid they Jesus therefore because of the Jews’ preparation; for the sepulchre was nigh at hand.” (John 19:38-42 KJV)

Mural of Jesus from the Crypt at Washington National Cathedral

The chapel that contains this mural is located on the crypt level of the cathedral. It contains New Testament imagery that show the promise of eternal life: Jesus’ birth, his death and entombment, and his resurrection. This somber mural tells the story of Jesus’s entombment following the crucifixion. I snapped the photograph at the CHAPEL OF SAINT JOSEPH OF ARIMATHEA. Joseph was the wealthy man who gave his tomb for the burial of Christ’s body after the crucifixion.

The image, Mural of Jesus, was originally uploaded by barneykin. It is posted here from Barneykin’s flickr account.

Visit Neddy’s Archives for more of Edna’s writings.

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